FLAC (tracks), Lossless | 1:07:11 | 297 Mb
Classical, Instrumental
In the second half of 18th century, keyboard music in Tuscany was flourishing. Many composers wrote music for both the fortepiano and the harpsichord: the former, which was invented just before the turn of the 18th century in Florence by harpsichord maker Bartolomeo Cristofori (1655–1731), rose to an incredible degree of popularity in the last decades of the century at the expense of the latter, which experienced the last moments of its glorious history. At any rate, it was by no means uncommon that composers published music intended to be played on either instrument, as almost all keyboard pieces written in Tuscany during the 1780s were explicitly addressed per il clavicembalo o fortepiano (for the harpsichord or piano).
Tracklist
[06:08] 01. Simone El Oufir Pierini – Sonata No. 1 in F Major: I. Moderato
[03:58] 02. Simone El Oufir Pierini – Sonata No. 1 in F Major: II. Rondò
[06:26] 03. Simone El Oufir Pierini – Sonata No. 2 in C Major: I. Moderato
[03:59] 04. Simone El Oufir Pierini – Sonata No. 2 in C Major: II. Rondò
[07:23] 05. Simone El Oufir Pierini – Sonata No. 3 in B-Flat Major: I. Allegro Comodo
[04:56] 06. Simone El Oufir Pierini – Sonata No. 3 in B-Flat Major: II. Rondò. Andantino
[04:53] 07. Simone El Oufir Pierini – Sonata No. 4 in G Major: I. Moderato
[05:13] 08. Simone El Oufir Pierini – Sonata No. 4 in G Major: II. Rondò. Andantino
[04:42] 09. Simone El Oufir Pierini – Sonata No. 5 in D Major: I. Allegro con Brio
[05:04] 10. Simone El Oufir Pierini – Sonata No. 5 in D Major: II. Rondò. Allegretto
[09:36] 11. Simone El Oufir Pierini – Sonata No. 6 in E-Flat Major: I. Allegro Spirituoso
[04:35] 12. Simone El Oufir Pierini – Sonata No. 6 in E-Flat Major: II. Rondò. Andantino con Moto
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