FLAC (tracks), Lossless | 1:12:22 | 302 Mb
Classical, Instrumental
The struggle between momentary inspiration and the great Forms’ moral needs cost Schumann, in time, a fall into darkness. His mind, inhabited by voices, built more and more monuments to Forms which were already fossils by his time, such as the Sonata, Symphony, or Oratorio. His impulsive nature (surprised, in turn, by the continual flow of themes arising from mysterious, and at times sinister, skies) was forced into a discipline whose destiny was to justify the genius, to redeem it from its sources earned by work alone. He had the self-taught man’s shame for the easiness of his inventions. In his Hausmusik, the pieces he wrote for amateurs and for domestic use, his neurosis and his constant need for academic recognition found rest against the destructive spur etching his mind.
Tracklist
01. Drei Romanzen, Op. 94: I. Nicht schnell
02. Drei Romanzen, Op. 94: II. Einfach, innig
03. Drei Romanzen, Op. 94: III. Nicht schnell
04. Märchenbilder, Op. 113: I. Nicht schnell
05. Märchenbilder, Op. 113: II. Lebhaft
06. Märchenbilder, Op. 113: III. Rasch
07. Märchenbilder, Op. 113: IV. Langsam, mit melancholischen Ausdruck
08. Adagio und Allegro, Op. 70
09. Fünf Stücke im Volkston, Op. 102: I. Mit Humor (“Vanitas vanitatum”)
10. Fünf Stücke im Volkston, Op. 102: II. Langsam
11. Fünf Stücke im Volkston, Op. 102: III. Nicht schnell, mit viel Ton zu spielen
12. Fünf Stücke im Volkston, Op. 102: IV. Nicht zu rasch
13. Fünf Stücke im Volkston, Op. 102: V. Stark and markiert
14. Fantasiestücke in A Minor, Op. 73: I. Zart und mit Ausdruck (attacca)
15. Fantasiestücke in A Minor, Op. 73: II. Lebhaft, leicht (attacca)
16. Fantasiestücke in A Minor, Op. 73: III. Rasch und mit Feuer
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