24Bit/96 kHz FLAC | Jazz, Piano Jazz | 00:27:37 | 1CD | 334 mb
Tracklist:
01. Ay! Mama Inés (For Headphones)
02. Guajira para Tulio (For Headphones)
03. Things Ain’t What They Used to Be (For Headphones)
04. Metro (For Headphones)
In 2014, Marialy Pacheco’s album INTRODUCING appeared on reverberation, convincing her with her self-confident style and her Cuban temperament. Now she presents another facet of her musical diversity and brought a piece of Cuba to Ludwigsburg for the STUDIO CONCERT. For this recording, the pianist and official “Bösendorfer Artist” chose her “favorite pieces”. They are both current compositions and arrangements, as well as older works by Marialy Pacheco. She draws from Cuban folk music and transforms it into a completely new form. Her engagement with the musical tradition creates a balance between seriousness and technical sophistication on the one hand, and lightness and Caribbean fire on the other.
“The latest studio album by Cuban pianist Marialy Pacheco, who lives in Germany, brings his listeners close to the Bösendorfer Imperial at arm’s length, with Pacheco showing a strong weakness for the pianistic romance (Brahms'” lullaby “), but also for Rapid and complex, rhythmic shifts (own composition “Metro”). ” (Jazzthetik, Joachim Weis)
“Marialy Pacheco plays like no one else, her own compositions are breathtaking, old standards allow her to make the most out of new things, and she is familiar with the world of classical music.” Great art, unique style and an almost magical performance – overwhelming piano sound, perfectly staged at a Bösendorfer Imperial . ” (Hifi stars, Janis Obodda)
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