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Ueberschall Saxophone Solos ELASTIK

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Ueberschall Saxophone Solos ELASTIK screenshotELASTIK – 630 MB

Funky Tenor Saxophone Licks
Who doesn’t love a classic funk groove? And it is even better when layered with a funky tenor saxophone solo. Well, if you’ve got the grooves, Saxophone Solos has all the classy tenor sax licks that you are going to need. Saxophone Solos delivers the warm, expressive, sound of the tenor saxophone in a collection of superbly played solos, all broken down into a convenient lick-based format and ready to be assembled in a perfect combination for your track. It’s perfect for funk and soul, but would also work just as well in other genres such as house and pop.

Expressive Solo Lines
With over 350 individual loops and phrases, each between 1 and 8 bars in length, the 770MB of samples are organized into 21 tempo/key based folders for an easy workflow. Original tempos span 90 to 124 BMP but, with Elastik’s powerful pitch and tempo manipulation tools, it is easy to craft just the phrase or solo needed to fit your project. In addition, the high-quality and consistency of the recorded sound across all the folders make it easy to mix and match phrases between folders if required.

Characterful, Intimate, Sound Of The Tenor Sax
The library is ideal to build a complete, extended, solo, or simply to provide an individual ‘hook’ melody line. In either role, Saxophone Solos will bring that all-important expressive element to your project, delivering maximum funk and a whole lot of soul. This library makes an ideal partner for our Funk Up Elastik title so, if you are inspired by artists such as Funkadelic, Bootsy Collins and George Clinton, Saxophone Solos will deliver all the funky tenor sax you need to top off your production.

Nico Finke is a professional Saxophone Player from Hannover Germany. He was on the road with Funk and Soul Artists like Marva Whitney, Martha High, Ann Sexton; Pop Acts like Wir sind Helden, Max Mutzke, James Kakande and Jazz Artists like Jiggs Whigham, Barry Guy, Alex Sipiagin.

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