Voxengo VST and AU plugins pack Win/MacOSX-0daytown

Voxengo VST and AU plugins pack (Win / Mac OS X) | 555 MB

Voxengo offers you high quality professional audio plugins: VST plugins and AU plugins (AudioUnits), and sample rate converters, for Windows and Mac OS X computers. Our goal is to provide user-friendly, robust, and efficient solutions for audio and music production, including mastering. You can use our audio plugins with Steinberg Cubase, Logic Pro, Ableton Live, Reaper, Cakewalk Sonar, Digital Performer and other software with AU plugin and VST plugin support. This pack includes: BMS v2.2 (Win / Mac OS X), Crunchessor v2.8 (Win / Mac OS X), CurveEQ v3.2 (Win / Mac OS X), Deft Compressor v.1.4 (Win / Mac OS X), Drumformer v1.3 (Win / Mac OS X), GlissEQ v3.7 (Win / Mac OS X), HarmoniEQ v2.2 (Win / Mac OS X), LF Max Punch v1.4 Win, LF Max Punch v1.1.Mac OS X, Voxengo PHA-979 v2.3 Win, Polysquasher v2.4 Mac OS X, Shinechilla v1.0 (Win / Mac OS X), Soniformer v3.3 (Win / Mac OS X), SPAN Plus v1.0 (Win / Mac OS X), VariSaturator v.1.10 (Win / Mac OS X), Voxformer v2.8 (Win / Mac OS X), Warmifier v.2.0(Win / Mac OS X).

BMS is a bass management system plug-in for professional surround sound applications. BMS is able to extract and manipulate low-frequency content of non-LFE channels in up to 7.1 surround configurations. The main purpose of BMS is to simplify evaluation of low-frequency content present in non-LFE channels during mastering. At the same time, it is possible to mix extracted low-frequency content to the LFE (“Low Frequency Effects”) channel. An option to remove the extracted signal from non-LFE channels is also available. In BMS you can specify a desired frequency of the crossover filter, and adjust its steepness.

Crunchessor is a general-purpose track compressor AU and VST plugin for professional audio production applications. One of its main advantages is the ease of tuning, which at the same time instantly delivers an excellent sonic performance. Another remarkable feature of Crunchessor is its valve-type processing, which is applied in parallel to compression. This makes Crunchessor an ideal choice for musicians and producers who are fond of analog compression sound and its warmness. Beside this, Crunchessor offers you a selection of compression coloration styles–by itself a pretty unique feature for a compressor. By choosing an appropriate coloration style, you can add the character most suitable for the sound material you are working with. As an option, you can disable both coloration and valve warming processing to get a neutral and clean compression sound. Being a general-purpose compressor, Crunchessor can be used for any kind of sound material: drums, vocals, bass, guitars, synth sounds, etc. Crunchessor can be suitable both for single track and whole mix processing. Crunchessor also accepts external side-chain source signals and allows you to filter key signal sources before they are used for compression.

CurveEQ is a spline equalizer for professional music and audio production applications. CurveEQ shows you the actual filter response you are designing by means of a spline (a smooth curvy line), so you can actually see what the EQ is doing with the sound. This, in turn, allows you to get the best from your mix and your tracks. CurveEQ perfectly suits the needs of mastering. CurveEQ implements spectrum matching technology that allows you to transfer spectrum’s shape of one recording to another. In other words, this allows you to “copy” frequency balance of existing time-proven mixes so that other mixes that are still in the works may have a chance to sound better. This technology also greatly helps in music mastering since it easily lessens any dramatic differences in the area of frequency balance between various tracks. CurveEQ’s filters can be switched between linear- and minimum-phase modes. CurveEQ also features a deeply-customizable spectrum analyzer like the one found in Voxengo GlissEQ and SPAN plug-ins. You may also display, save and load static spectrum plots for comparison and matching purposes.

Deft Compressor is an audio signal compressor plug-in for professional audio production applications. The characteristic feature of this compressor is its ability to produce “slim” and “slick” sounding compression, with intelligibility enhancement effect. Such result is achieved by compressor’s timing function that closely resembles the S-curve (sigmoid curve) on both attack and release stages. S-curve timing function also helps compressor to sound “warm” and “clean” at most settings. While at high attack settings Deft Compressor can be used to emphasize audio transients, it can also be used to “smash” audio signal if you use attack settings as low as 0.01 millisecond. Even though the S-curve is the marked feature of Deft Compressor, you can smoothly change it to a steeper L-shape by adjusting the “Punch” parameter. Deft Compressor also features a so called “vintage” compression mode which produces compression sound reminiscent of analog valve compressors: it produces a warm, gently saturated sound with the ability to overdrive the output signal. Beside that, you may switch between the “feed-forward” and “feedback” compression modes. Deft Compressor is perfectly usable for compressing vocals, drums, guitars and other instruments, both technically and creatively. Beside that, it can be used to compress mix groups and full mixes.

Drumformer is a multiband drum and master track dynamics processing plug-in for professional music and audio production applications. Drumformer was designed to be a comprehensive solution for the broadest range of sound processing tasks, allowing you to easily implement almost any dynamics processing idea you may have. Drumformer can operate in broadband, 2-band and 3-band modes, with each band having compressor-expander and saturation modules. The sound of the compressor can be defined as “gluey with a ping”, because it instantly creates a “tight and glued together” sound while masterfully emphasizing the transients. The saturation module offers you a choice between six saturation modes, each having a smooth sound and differing harmonic content. Drumformer features a precise gate module with a round sound and multifaceted controls that is useful when you are processing a multi-tracked drum kit. The built-in parametric equalizer with its spectrum analyzer will also come in handy. The “Clipper” module which is a part of the plug-in allows you to get artistic master output clipping effects. Drumformer will positively enhance your professional toolset and may help you produce even better recordings faster.

GlissEQ is a parametric equalizer plug-in for professional music production applications. The most interesting and unique feature of GlissEQ is the dynamic behavior of its filters. To understand dynamic filtering, let’s begin by re-stating something probably obvious about a normal equalizer: you always get what you set. In other words, when you specify a 6 dB boost at 100 Hz you get exactly 6 dB of boost at 100 Hz. But GlissEQ is different. When you specify a 6 dB boost at 100 Hz, you don’t necessarily get a 6 dB increase in gain. Instead, the filter’s effective gain is adjusted dynamically according to the program material. That is what we mean by dynamic filtering and it is the key to GlissEQ. You should notice these immediate benefits: boosting highs with GlissEQ tends to avoid the fatiguing effect of overload. And boosting lows avoids making things sound mushy. Instead, you get a pleasant emphasis of transients, bringing life and dimension to your tracks. In short, the “dynamic behavior” of GlissEQ’s filters gives you a helping-hand during mixing and mastering. In addition to dynamic filtering, GlissEQ also features a real-time spectrum analyzer. The spectrum of a track can be exported to any other instance of GlissEQ thus making real-time inter-track spectrum comparisons possible. This helps you free frequency ranges on one track to allow an instrument on another track occupying same frequencies to breathe.

HarmoniEQ is a parametric, harmonically-enhanced equalizer plug-in for professional music production applications. Harmonic enhancement HarmoniEQ applies to the sound is an inherent element of its overall sonic quality. HarmoniEQ also features dynamic equalization modes that offer you a vast palette of sound-shaping capabilities, suitable for mastering. Since the easiness of tuning was one of our goals when producing this plug-in, HarmoniEQ features a single control surface to control the equalizer curve. HarmoniEQ’s control surface workflow implements our best findings in the area of “user-equalizer” interaction. Just drag the filter control points to the right places. You can enable up to 7 parametric filters, with the filter type freely-selectable from peaking, low-shelf, high-shelf, low-pass, high-pass and notch filter types. Another useful element of HarmoniEQ is its control surface’s frequency range which goes up to 38 kHz. Such extended range allows you to make smooth “air” boosts easily. While HarmoniEQ is best suited for EQ boosts, its EQ cuts also sound great.

LF Max Punch is a professional audio effect AU and VST plugin for music and sounds where low-frequency thump and punch are most welcome, and where distortion is applied specifically to bring the bass sound to life. LF Max Punch provides a low-frequency effect specially designed for serious contemporary music producers offering them a convenient tool for applying a smooth punch and oomph to audio tracks and sounds. LF Max Punch plug-in dynamically emphasizes selected bass frequency band, applies a smooth saturation over it, and produces additional sub-harmonic content, with the ability to blend it with the original bass band sound. Optional compression can then be applied to the resulting low-frequency sound. LF Max Punch first splits the broad-band signal into low- and high-frequency bands and then applies the aforementioned effects to the lower band only. This effect can be applied over a wide range of sound material: drum tracks, bass tracks, contemporary music mixes: rap, trance, club music; also rock music can benefit from LF Max Punch’s low-frequency enhancements.

PHA-979 is a professional audio AU and VST plugin which allows you to apply an arbitrary phase shift to sound material. What is meant by the phase shift here is simultaneous shifting of all frequencies across the active frequency range of the signal by the given value in degrees. This is achieved by linear-phase design. PHA-979 is useful during mixing sessions, especially when working with the sound material recorded through an array of microphones. In many cases this allows you to solve various phasing problems arising from the microphone placement chosen during the tracking session. In other cases this process may help you to align drums and other instruments to each other bringing punch and time coherence not attainable by the ordinary time-aligning alone. Beside the phase shifting, PHA-979 features positive and negative time delaying that eliminates the need to move in-track events in the sequencer when doing time alignment over any set of recorded tracks. PHA-979 also provides mid/side channel balance and panning controls that permit you to record stereo microphone pairs into a single stereo track without resorting to dual mono recording (on separate tracks) which usually becomes time-consuming in a further editing. PHA-979 features multi-band analog-style correlation meter that greatly simplifies phase- and time-aligning process. Moreover, you can use functionality PHA-979 provides to setup headphone monitoring so that it closer resembles sound stage produced by stereo speaker monitoring.

Polysquasher is a mastering compressor AU and VST plugin for professional audio and sound production applications. Polysquasher was designed with a main goal: to be transparent. Transparent compression action is a cornerstone for any mastering compressor. Transparency of audio signal processing is necessary to preserve all existing elements in the mix, while compression itself is necessary to make the mix sound uniform to other mixes (tracks) and to make it sound more solid and “glued”. Polysquasher achieves its goal by using a unique compression algorithm which requires a small number of parameters – basically threshold and ratio only – making this compressor a joy to use. More advanced settings are hidden in the “compressor mode editor” panel where you can create your own compressor modes that can be easily recalled later. Polysquasher is best used as a finishing compressor inserted in the chain before the final mastering limiter. Polysquasher also features real-time gain reduction and waveform graphs. Full multi-channel operation is supported.

Shinechilla is an experimental creative sound effect plug-in for professional audio and sound production applications. Shinechilla allows you to generate and blend 2nd, 3rd and 4th harmonics with the original dry sound. The harmonic generation process offered by Shinechilla is quite unique on the plug-in market since it produces almost no intermodulation distortion. Shinechilla is mainly usable for solo instrument processing where it literally “shines” by producing convincing and full-bodied harmonic coloration. Shinechilla is also unique in that it is able to add harmonic coloration on top of the sound instead of distorting the whole sound. However, the option to saturate the whole sound is also available. The strength of harmonic coloration added by Shinechilla can be flexibly adjusted over the whole frequency range, for each harmonic. In overall, Shinechilla is a great tool for contemporary electronic music producers looking for impressive timbres.

Soniformer is a spectral mastering dynamics processor plug-in for professional music production applications. During its operation, Soniformer splits incoming sound signal into 32 spectral bands. This makes Soniformer a powerful and precise tool for mastering and sound restoration purposes. Every parameter in Soniformer is defined by means of a graphic envelope which is freely-modifiable and which may contain unlimited number of control points. Beside usual threshold, attack, release and compression/expander ratio parameters Soniformer offers you control over “stereo width” and “panning” parameters making Soniformer an effective tool for stereo field adjustments. Not only Soniformer offers you an easy-to-use parameter envelope editing interface, it also features a comprehensive set of spectral metering tools: you can switch between input, output, stereo correlation and stereo balance spectrums. The spectral gain change meter that is always present on the user interface gives you an outline of the overall signal power change applied by the plug-in’s processing chain.

SPAN Plus is a real-time “fast Fourier transform” audio spectrum analyzer plug-in for professional music and audio production applications. For the most part it was derived from Voxengo GlissEQ dynamic parametric equalizer and reproduces its spectrum analysis functionality. SPAN Plus is an extended version of the freeware SPAN plug-in: SPAN Plus provides several additional features such as PNG file export, real-time spectrum import/export and static spectrums display. SPAN Plus provides you with a very flexible “mode” system which you can use to setup your spectrum analyzer preferences. You may specify Fourier block size in samples, FFT window overlap percentage, spectrum’s visual slope. Beside that you can choose to display secondary spectrum of a desired type (e.g. real-time maximum, all-time maximum). Spectrum can be smoothed out visually for an easier examination. SPAN Plus supports multi-channel analysis and can be set to display spectrums from two different channels or channel groups at the same time. Spectrum’s color can be chosen to taste. SPAN Plus also features output level metering with adjustable ballistics and integration time, K-system metering (including calibration K-system metering). SPAN Plus displays level metering statistics, headroom estimation and clipping detection. Correlation metering is available as well.

VariSaturator is an audio effect AU and VST plugin designed to apply saturation effects to audio material. VariSaturator can be used both to boost the loudness of the audio tracks without increasing their peak levels proportionally, and to apply subtle harmonic coloration that makes tracks sound more pronounced and polished. VariSaturator features two saturation modules which are applied in sequence, in two-band mode each. The valve saturation module applies asymmetric valve processing that closely resembles sound of a high-quality valve amplifier cascade. Another saturation module VariSaturator features is a digital “waveshaping” saturator with feedback topology. This module applies smooth two-band saturation which can amplify signal level and apply desirable harmonic coloration. If you have some “muffled” track in the mix that needs to cut through the mix better, VariSaturator will help you in this case easily. VariSaturator can be used in a variety of audio processing cases: you may apply it with good results over drum, bass and vocal tracks, over sub-mixes and of course over complete mixes.

Voxformer is a multi-functional vocal channel strip plug-in for professional audio applications. Combining several professional quality processing modules, Voxformer was designed to be a comprehensive solution for all your vocal processing needs – be it spoken or sung vocals. The coolest feature of Voxformer is its one-knob vocal compressor. Using only a single knob, you can get a tight, open and definitive professional vocal sound with an excellent articulation in no time. You do not have to worry about common ratio and make-up gain controls since they are automatically selected by the advanced compression algorithm while attack and release parameters are stored in a mode preset. Moreover, Voxformer features two compressors of this type, allowing you to apply either a two-band or a two-stage (serial) vocal compression. Voxformer also features the de-esser with selectable center frequency and threshold. Multi-band noise gate is available, which, in a manner similar to the compressor, was designed to bring ease of tuning while providing excellent sonic results. For those who like a saturated vocal sound, Voxformer implements a special module which applies a smooth saturation. Another useful feature Voxformer has to offer is the presence boosting module, which you can use to add some shine and space to the vocals. As a finishing touch, Voxformer offers you a flexible easy-handling 5-band parametric equalizer (pre/post selectable) with a real-time output stage fast Fourier transform (FFT) spectrum analyzer display. In most cases Voxformer can be used for processing of a wide range of instruments beside vocals.

Warmifier is a special plug-in for professional music production applications which processes audio signal in a way similar to analog valve equipment. By using Warmifier you can achieve valve warming and “console” coloration effects. Warmifier is applicable both to the complete mixes and to the individual instrument tracks. You have several parameters at your disposal that allow you to control the strength and the color of the effect. Also, you have several valve types to choose from. Each valve type offers a different overall coloration. While the effect of this plug-in is definitely subtle, the difference it makes is similar to the difference in sound between various analog mixing consoles. In most cases it boils down to adding a subtle “sparkle”, “presence”, “warming” or “solidifying” effect to a sound track it was applied to.

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Voxengo.BMS.v2.2-R2R.rar: http://www.t00y.com/file/31332487
Voxengo.BMS.v2.2.MacOSX-R2R.rar: http://www.t00y.com/file/31332546
Voxengo.Crunchessor.v2.8.MAC.OSX-ASSiGN.rar: http://www.t00y.com/file/31332548
Voxengo.Crunchessor.v2.8.x86.x64-ASSiGN.rar: http://www.t00y.com/file/31332489
Voxengo.CurveEQ.v3.2-R2R.rar: http://www.t00y.com/file/31332516
Voxengo.CurveEQ.v3.2.MacOSX-R2R.rar: http://www.t00y.com/file/31332593
Voxengo.Deft.Compressor.v.1.4-R2R.rar: http://www.t00y.com/file/31332492
Voxengo.Deft.Compressor.v1.4.MacOSX-R2R.rar: http://www.t00y.com/file/31332594
Voxengo.Drumformer.v1.3-R2R.rar: http://www.t00y.com/file/31332518
Voxengo.Drumformer.v1.3.MacOSX-R2R.rar: http://www.t00y.com/file/31332595
Voxengo.GlissEQ.v3.7-R2R.rar: http://www.t00y.com/file/31332519
Voxengo.GlissEQ.v3.7.MacOSX-R2R.rar: http://www.t00y.com/file/31332596
Voxengo.HarmoniEQ.v2.2.MacOSX-R2R.rar: http://www.t00y.com/file/31332552
Voxengo.HermoniEQ.v.2.2-R2R.rar: http://www.t00y.com/file/31332494
Voxengo.LF.Max.Punch.VST.v1.4.x86.x64-ASSiGN.rar: http://www.t00y.com/file/31332528
Voxengo.LFMaxPunch.VST.AU.v1.1.MAC.OSX.UB-ArCADE.rar: http://www.t00y.com/file/31332542
Voxengo.PHA-979.VST.v2.3.x86.x64-ASSiGN.rar: http://www.t00y.com/file/31332524
Voxengo.Polysquasher.v2.4.MAC.OSX-ASSiGN.rar: http://www.t00y.com/file/31332549
Voxengo.Shinechilla.v1.0-R2R.rar: http://www.t00y.com/file/31332514
Voxengo.Shinechilla.v1.0.MacOSX-R2R.rar: http://www.t00y.com/file/31332597
Voxengo.Soniformer.v3.3.MAC.OSX-ASSiGN.rar: http://www.t00y.com/file/31332550
Voxengo.Soniformer.v3.3.x86.x64-ASSiGN.rar: http://www.t00y.com/file/31332491
Voxengo.SPAN.Plus.v1.0-R2R.rar: http://www.t00y.com/file/31332517
Voxengo.SPAN.Plus.v1.0.MacOSX-R2R.rar: http://www.t00y.com/file/31332598
Voxengo.VariSaturator.v.1.10-R2R.rar: http://www.t00y.com/file/31332490
Voxengo.VariSaturator.v1.10.MacOSX-R2R.rar: http://www.t00y.com/file/31332547
Voxengo.Voxformer.v2.8-R2R.rar: http://www.t00y.com/file/31332520
Voxengo.Voxformer.v2.8.MacOSX-R2R.rar: http://www.t00y.com/file/31332599
Voxengo.Warmifier.v.2.0-R2R.rar: http://www.t00y.com/file/31332484
Voxengo.Warmifier.v2.0.MacOSX-R2R.rar: http://www.t00y.com/file/31332545

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Voxengo VST and AU plugins pack Win/MacOSX

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