FLAC (tracks), Lossless | 1:02:37 | 266 Mb
Classical, Instrumental
According to the Spanish guitarist Andrés Segovia, Mexican musician Manuel Ponce (1882-1948) was the most significant composer in the modern revival of guitar music. Ponce’s body of guitar music is almost unparalleled in the 20th century, rivalled only by that of Heitor Villa-Lobos and Leo Brouwer. He was Mexico’s first nationalist composer, but he also drew upon Spanish and Cuban styles, as well as European and American impressionism; his music ranges from romanticism to bitonality and atonality. Villa-Lobos met Ponce in Paris in the 1920s and later recalled: “I remember that I asked him at that time if the composers of his country were as yet taking an interest in native music, as I had been doing since 1912, and he answered that he himself had been working in that direction. It gave me great joy to learn that in that distant part of my continent there was another artist who was arming himself with the resources of the folklore of his people in the struggle for the future musical independence of his country”.
Tracklist
01. Canción de cuna (Arr. Jiji & J.H. Crawford for Cello & Guitar)
02. O canto do cisne negro, W122
03. Pampamapa (Arr. J.H. Crawford for Cello & Piano)
04. 5 Canciones mexicanas: No. 5, Por tí mi corazón (Arr. J.H. Crawford for Cello & Piano)
05. Água e vinho (Arr. J.H. Crawford for Cello & Guitar)
06. 2 Canciones mexicanas: No. 2, Estrellita (Arr. Jiji & J. Heifetz for Cello & Guitar)
07. Le grand tango
08. Pequena suíte, W064: V. Melodia
09. Ondulando, Op. 31, W082 (Arr. J.H. Crawford for Cello & Piano)
10. Cello Sonata in G Minor: I. Allegro selvaggio
11. Cello Sonata in G Minor: II. Allegro
12. Cello Sonata in G Minor: III. Arietta
13. Cello Sonata in G Minor: IV. Allegro burlesco
14. Oblivion (Arr. J.H. Crawford for 14 Cellos)
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