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Overloud Gem Comp76 2.0.9 Win/Mac

MacOSX dsgsd 119浏览 0评论

File size: 495/255 MB

The Revolutionary Simulation of Legendary Fet Compressor-Limiter. Comp76 fet compressor-limiter. The revolutionary simulation of legendary fet compressor-limiter beyond the hardware.

COMP76 FET COMPRESSOR-LIMITER
The revolutionary simulation of legendary fet compressor-limiter beyond the hardware.
NEW in v2! Three revisions in one plugin!
Built-in Mid-Side Processing
Built-in Parallel Compression
NEW in v2! Low frequency sensitivity control
NEW in v2! Harmonics amount control
NEW in v2! Oversample control, including ultra-oversampling mode
Hyper-realistic simulation of the original unit thanks to the 4th generation dsp technology
Simulation of all transformers in the original unit
Emulates the original All-buttons-in mode
Low cpu usage (more than 1000 instances on a Macbook Pro Retina)
Lots of presets designed in real mixing sessions
Scribble Strips: take notes anywhere on the plugin panel
Meter Calibration: calibrate the VU meters at 5 different sensibilities

BEYOND THE ORIGINAL HARDWARE
Comp76 extends the features of the original hardware: it combines the flexibility of the digital world to the sound character of the analog processing.

MODEL SELECTION
Select between three different revisions: Rev. A (the older and warmer one), Rev. D (the classic “Low Noise” version) and the Rev. F (modern, faster and crisper).

SIDECHAIN FILTER
You can tweak a Low Cut filter on the Sidechain to reduce the compressor sensitivity to low frequencies. The amount of harmonic generation can be controlled as well.

PARALLEL COMPRESSION
Parallel compression is a powerful mixing technique which helps improve the overall impact of the track while leaving the transients intact. It is achieved by summing the compressor output to the original track

BUILT-IN MID-SIDE PROCESSING
You can separately compress the mono and stereo elements of the track, using different compression settings for each. This gives you complete control of the dynamics: you can squeeze the stereo aspect to tighten the room mics and get an in-your-face drum sound.

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