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Tone Empire Goliath V2 v3.3.0 MacOS

MacOSX dsgsd 27浏览 0评论

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Tone Empire将Goliath模拟通道条插件升级到了版本2.0,采用了全新的声音引擎,新增了许多实用功能。

Goliath V2.0内置模拟建模的饱和模块、均衡模块和压缩模块,声音引擎结合了卷积和组件建模,创建出真实的硬件信号处理链。饱和模块扩展了四种处理方式:Alloy、Tube、Tape和Vinyl。Alloy模拟70年代的Neve 1081话放/均衡模块。Tube对现代和经典Gear的处理链进行建模。Tape基于转速为15ips的ATR-700磁带录音机。Vinyl则对Neumann Vinyl切割机进行采样,模拟建模了母带处理链路。

Goliath V2.0饱和模块的Drive控件,可用于在每个建模信号链中“挤出”更多的饱和度。此外,包络部分现在带有完整的1176型FET压缩器,控件包括有阈值、压缩比、起始时间和释放时间。而均衡器模块则增加了带低切滤波器的三段参数均衡器。还有Env-EQ MIX控件,可以将饱和信号混合到动态和EQ模块中。

Goliath V2.0插件支持64位Windows和MacOS系统,插件格式为VST3、AU和AAX。


MORiA | AU | VST3 | AAX | 51 MB

Saturation/Dynamics/EQ
Goliath V2 features 4 Analog Modelled Processing chains featuring ALLOY (Nickel, Iron, Steel based Transformers), TUBE, TAPE & VINYL with a drive control plus a FET based envelope and a 3 band EQ.

This is a truly revolutionary and “analog” sounding tool. Be prepared to be pleasantly surprised!

What’s new ?
Goliath, our top-selling plugin is back in a brand new avatar with a completely new sound engine and new features.

This plugin now has 4 types of Saturation models – Alloy, Tube, Tape & Vinyl with Drive. We now use our Advanced DSP models featuring our own proprietary “Multi Convolution” & Component Modelling Technique to simulate “Real” hardware chains of analog gear. Additionally, the plugin now features a full FET compressor in its envelope section and a 3 band EQ plus a Low Cut Filter.

All these engines make Goliath V2 a great sounding & versatile channel strip with multiple colors of sound processing.
If you love that vintage analog “goodness”, then Goliath V2 is for you!

More Features
DRIVE Control: This controls lets you “drive” the analog chain selected for its respective saturation characteristics. The levels remain the same, hence there will be no need to keep reaching for that output control.
Go from a light touch of the analog chain to full-on driven saturation by hitting the signal hard. You control our sound!

Env-EQ MIX: Use this control to dial back the amount of Envelope and EQ used by parallel mixing in the signal from the analog chain before the Env-EQ sections. This acts as a kind of dry/wet control for the ENV-EQ.

OUTPUT Control: This lets you control the gain of the final output of the processing from -inf to +10 DB. It’s helpful when compressing a lot and you need a signal boost at the end, or for cutting back the levels.

Whats new in this version
What’s Fixed In the Build 3.3 update :
1.⁠ ⁠Brand new oversampling systems which half’s CPU usage on Mac and Windows!
2.⁠ ⁠Recalibrated VU gain reduction meter for better visual response.
3.⁠ ⁠New memory management system for better stability on both Mac and Windows.
4.⁠ ⁠Sound Levels for the 4 models adjusted to be more balanced.
5.⁠ ⁠This update will replace your last Goliath version.

System Requirements
macOS 10.13 or newer


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