FLAC (tracks), Lossless | 1:02:38 | 224 Mb
Classical, Instrumental
Although it has been clearly established for which instruments the Musical Offering and the Art of Fugue were intended, the Musical Offering has continued to be the object of realisations for other instruments, such as Anton Webern’s orchestrated version of the Ricercar à 6. Here Cindy Castillo marks the completion of a new organ in the German baroque style by Dominique Thomas in the church of Saint-Loup in Namur with her own realisation of this work, a monument to the late Baroque style.
Tracklist
1. Musikalisches Opfer, BWV 1079: Ricercar a 3 (7:14)
2. Musikalisches Opfer, BWV 1079: Fuga canonica in Epidiapente (2:55)
3. Musikalisches Opfer, BWV 1079: Canon perpetuus super Thema Regium (1:14)
4. Musikalisches Opfer, BWV 1079: Sonata sopr’il Soggetto Reale: I. Largo (7:51)
5. Musikalisches Opfer, BWV 1079: Canon 1 a 2 cancrizans (2:01)
6. Musikalisches Opfer, BWV 1079: Canon 2 a 2 violini in unisono (0:58)
7. Musikalisches Opfer, BWV 1079: Canon 3 a 2 per Motum contrarium (1:14)
8. Musikalisches Opfer, BWV 1079: Sonata sopr’il Soggetto Reale: II. Allegro (7:00)
9. Musikalisches Opfer, BWV 1079: Canon 4 a 2 per Augmentationem, contrario motu (2:59)
10. Musikalisches Opfer, BWV 1079: Canon 5 a 2. Per tonos (4:21)
11. Musikalisches Opfer, BWV 1079: Sonata sopr’il Soggetto Reale: III. Andante (3:22)
12. Musikalisches Opfer, BWV 1079: Canon a 2 “Quaerendo invenietis” a (1:21)
13. Musikalisches Opfer, BWV 1079: Canon a 2 “Quaerendo invenietis” b (1:27)
14. Musikalisches Opfer, BWV 1079: Sonata sopr’il Soggetto Reale: IV. Allegro (3:44)
15. Musikalisches Opfer, BWV 1079: Canon perpetuus (1:38)
16. Musikalisches Opfer, BWV 1079: Canon a 4 (4:25)
17. Musikalisches Opfer, BWV 1079: Ricercar a 6 (9:02)
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