Matthew Weiss – Mixing With Compression

English | MP4 + Project Files | 1920 x 1080 | AVC ~3827 Kbps | 30 fps AAC | 311 kbps | 44.1 KHz | 2 channels | 01:45:42 | 3.28 GB

Use compression to shape your sounds Want to make a sound punchier? Softer? Rounder? Sharper? Matthew shows you how to shape sounds with effective compression settings and techniques. Use compression to control dynamics Want louder vocals? More controlled bass? Punchier drums? More attack and less sustain for an instrument? We’ll teach you how to hear it and do it. Take advantage of parallel compression Learn how you can fine-tune a sound or groups of instruments by blending in heavy processing with the dry signal to create the perfect blend. Use compression to manipulate tone Hear before and after examples on various instruments and voices to learn how compression can make a sound appear brighter, darker, closer, distant, etc. Set the perfect attack and release times We’ll teach you how to set goals, listen critically, and shape the envelope of various sounds using effective and musical attack and release settings. Know which type of compressor to use FET, VCA, Optical and more. Learn about the many different types of compressors and limiters including their history and ideal applications.

Content:

1 — Intro
2 — Pink Noise Shape
3 — Program Material 1
4 — Program Material 2
5 — Tonality
6 — Characteristics
7 — Lead Vocals
8 — Percussion
9 — Drums
10 — Bass
11 — Mix Buss
12 — Conclusion

More info: homepage

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