《马友友:探戈灵魂》在这张专辑中,著名的大提琴家马友友将拉奏多首改编自皮耶佐拉作品的探戈音乐,并与“阿萨德兄弟”吉他二重奏组、手风琴家马科尼等著名南美洲探戈音乐合奏团合作,再度引领广大乐迷进入自由、热情、迷人的探戈世界,来纪念这位伟大的探戈教父。在充满异国情调的音乐中,艺术家们精彩地诠释了探戈独特的艺术魅力。如马友友所说:“探戈这个词勾勒出了魔幻般的迷人印象:灯火朦胧的舞场,空气中弥漫的烟雾,男人怀抱中的漂亮女郎,放逐于节奏中的爱和梦想、痛苦和真实。”这正是探戈音乐的灵魂——生命的舞蹈,也正是这Billboard古典排行榜冠军大碟的魅力所在。
大提琴巨星魅力再现,美国Billboard古典排行榜冠军大碟,世纪探戈教父皮亚佐拉精湛曲目呈现。
皮耶佐拉被称为“世纪探戈教父”,他杰出的创作赋予了探戈音乐崭新的生命力,使其从最初的“有低俗之嫌”的舞蹈音乐登上了大雅之堂。时至今日,探戈音乐正以其华丽而又忧郁的独特魅力吸引着全世界众多的演奏家和音乐爱好者。
01 现实交会三分钟 Libertango
02 探戈组曲 Tango Suite
03 探戈回首 Tango Remembrances
04 姆姆吉 Mumuki
05 自由的探戈灵魂 Tres Minutos Con La Realidad
06 天使的歌谣 Milonga Del Angel
07 相遇在1930的咖啡馆 Cafe 1930
总时长:63:38
Title Of Album: Soul Of The Tango – The Music of Astor Piazzolla
Year Of Release: 1997/2003
Label: Sony Music Japan
Genre : Tango
Quality: Conversion of SACD (multi-channel music) , Audio Codec: DSD 2.0
Bitrate: 2,8224 MHz
Total Time: 63:40
Total Size: 2.57 Gb
Inspired by a general love of the tango, and more specifically the tango of Astor Piazzolla, on the part of Yo-Yo Ma, the Soul of the Tango album is a masterful work of the nuevo tango, played by Ma’s cello and many of Piazzolla’s former associates. Piazzolla’s old guitarists Sergio and Odair Assad even showed up to work on a pair of tracks arranged by Sergio: the Tango Suite (consisting of Andante and Allegro). The sheer beauty of one of Piazzolla’s tangos is generally enough to warrant the purchase of an album involving them. An album such as this one, where all of the songs (save one: Tango Remembrances, where Ma plays along with outtakes from Piazzolla’s recording of The Rough Dancer and the Cyclical Night album) are compositions by Piazzolla is even better. Add to this the masterful playing of Ma, and the surprising facility in which the cello fits into the tango, and you’ve got what could become a classic album, if only it weren’t on the classical label from Sony. The album begins with Libertango, a composition from Piazzolla’s first album that became the theme song for the movie The Tango Lesson. Following is the pair of tracks in the Tango Suite from Sergio Assad. Then comes Sur: Regreso al Amor, a softer work, though with some definite virtuosity displayed. Le Grand Tango is an eleven minute tour de force in the tango, and Fugata is a tango written under the guidelines of a classical fugue. The next work is the aforementioned Tango Remembrances, which is a particularly nice work, probably due to the appearance of Piazzolla’s own playing. Mumuki is a more complicated composition, and Tres Minutos con la Realidad is a choppier, peppier work. Milonga del Angel is a seemingly sentimental work that shows off Piazzolla’s ability to express the emotions of a song perfectly and purely. To finish the album, Ma presents Café 1930, a rather slow paced work, but again, as in Milonga del Angel, expresses emotion very fully in its nostalgia. Overall, the album is a stunning work of art, and even those that may not have heard of Piazzolla could easily be lured to his music via this single album.
1. Libertango 03:11
2. Tango Suite: Andante 03:45
3. Tango Suite: Allegro 06:07
4. Sur: Regreso Al Amor 06:04
5. Le Grand Tango 11:38
6. Fugata 03:48
7. Tango Remembrances 06:22
8. Mumuki 05:08
9. Tres Minutos Con La Realidad (Three Minutes With Reality) 03:10
10. Milonga Del Angel 06:40
11. Cafe 1930 07:48
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